From the Book of Wisdom
and neither covet
gold. Care not
for youth or the lifted
plinth. Suckle not
at the mouths
Turn your back
on the cheek-busker
and the feathery
touch. Light yourself,
instead, like a wick.
Keep to the outpost,
to the tiny island.
Press your lips
to the deep well
of the bite. Draw off
darkness as you listen
for the lone bird,
the one that sings
for you, and for you
(After Cristina Troufa’s Desprezar Ouro e Diamantes #3)
Like a Sibyl over the Vent
The alien language resembles circles of ink blown
through a straw. Fluency
means synchronicity, living all moments, ever,
in any. When queried
for images, the search engine offers a hummingbird
of barbed-wire, fighter jets fanning into Vs, a cascade
of palm fronds, a satellite’s winged
panels, forked branches, a perching heron, skydivers
in paired fall. At first,
I question the algorithm, then look again. All splay, black
blown on blue. Ask me,
and I will divine the hodge-podge. Like a Sybil at her vent,
this poet leans in.
The sound that I thought was a brook
trickling outside was really the coffee maker
running a river into the cabinet drawers
and under the refrigerator, carrying a silt of grinds
into every crevice. I want a magician’s wand
to transform rage at small thwartings into music,
to presto curses into laughter, helping me
move on. Little in life is what I expect, but much
is better, the upthrust seeds of Echinacea, a hawk
in an updraft, a child speaking wisdom unprompted.
Even if I break, I come apart in a world
beautiful somewhere, like the jaeger fledgling
I found huddled in sand, spending its final hours
looking at surf and horizon. I hope I die
in such a spot, waves shushing regret. Hack
at our lightless places, and we come away
with glittering, the mineral, something that bruises
when clenched and outlasts the sweat of release.
I imagine truth distant and then trip on it on my way
to the bathroom at night, a castoff shoe, a book,
the dog’s bowl, mysteries requiring no other
novitiate than my attention. Endlessly, I work
my trowel, shoring up walls that a single
quake jars and a second brings down.
Mother wolf tilts muzzle to the ground,
ever so gently unhinging her jaw to release
her children. Owl wings from parted canines
to perch among boughs, fox scrabbles
into a deep den, sparrow flutters after
seed, horse stamps mournfully down
the rough tongue, whickering. Mother
wolf pauses, shakes her shaggy head no,
then lifts her hackles and coughs out
the final two, woman and man. She pins
them to earth with a paw, claw tip to jugular
and considers piercing. Ever so slowly, she
releases them, then throws back her head
and howls. All pause to watch the naked ones
scramble away, feeling in their flesh the coming
desolation. It won’t be soon, but it will be.
Moonlight kindles the leaves into tapers.
A passing breeze quenches each bright wick.
The park is fuller than I’ve seen it. Walkers
cluster about the lake’s August perfection.
Fanned by cormorants, turtles sun on a log, ducks
circle, blossoms unfurl, pine needles waft pitch.
No one notices. Two by two, like monastics
in procession, the park-goers are lost to rite,
attentive only to the buzzing of their phones,
to lures and Poké stops. Unmoved by ephemera,
they add to menageries, defend Mystic,
Instinct, and Valor, without ever raising
their eyes. Their world is pixelated.
Of such devotion, their God must be proud.
A Hedge of Bright Feathers
Blurred by drizzle,
the red-tail stands sentinel.
Every morning, passing beneath,
I await the lift of her wings,
her swift plummet, but she never moves,
busy about her own
mystery. Come midday, she rides
the updrafts, circling
the freeway, the squatters along its banks.
Partisan, I wish her a fat rat,
a squirrel kit to fuel her vigil, whatever
would keep her here,
a hedge of wildness against rebar and
Devon Balwit has five chapbooks out or forthcoming: How the Blessed Travel (Maverick Duck Press); Forms Most Marvelous (dancing girl press); In Front of the Elements (Grey Borders Books), Where You Were Going Never Was (Grey Borders Books); and The Bow Must Bear the Brunt (Red Flag Poetry). Her work has been published both in print and on-line in places such as Psaltery & Lyre, In Layman’s Terms, In a Woman’s Voice, Poets Reading the News, The New Verse News, and more. She is on Facebook.